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Beggars Banquet is an LP released in 1968 by The Rolling Stones. It marked a return to the band's R&B roots, generally viewed as simpler and more primal than the conspicuous psychedelics of Their Satanic Majesties Request.
n 2003, the album was ranked number 57 on Rolling Stone magazine's list of the 500 greatest albums of all time. In 2003 the TV network VH1 named Beggars Banquet the 67th greatest album of all time.
Following the long sessions for the previous album in 1967, Mick Jagger and Keith Richards decided that the band needed more direction in the studio and in early 1968 hired Jimmy Miller, who had produced the Spencer Davis Group and Traffic. The partnership would prove to be a success and Miller would work with the band until 1973.
In March, the band began recording their new album, aiming for a July release. One of the first tracks cut, "Jumpin' Jack Flash", was released as a single-only that May, becoming a major hit.
Beggars Banquet was Brian Jones' last full effort with The Rolling Stones. In addition to his slide work on "No Expectations", he played harmonica on "Dear Doctor", "Parachute Woman" and "Prodigal Son", sitar and tambura on "Street Fighting Man", mellotron on "Jigsaw Puzzle" and "Stray Cat Blues". On "Stray Cat Blues", Richards for the first time used the "open G" chord style that became a staple of numerous Stones classics for the rest of their tenure, including "Monkey Man", "Brown Sugar", "Start Me Up", and "I Go Wild".
By June, the sessions were nearly completed in England, with some final overdubbing and mixing to be done in Los Angeles during July. However, both Decca Records in England and London
Critics considered the LP as a return to form.[1] It was also a clear commercial success, reaching #3 in the UK and #5 in the US (on the way to eventual platinum status).
The original LP pressing did not credit Rev. Wilkins as the writer of "Prodigal Son". His performance of "Prodigal Son" at the 1964 Newport Folk Festival was included on the Vanguard LP Blues at Newport, Volume 2; that performance is similar to the Stones' cover, and this may have been where the band first heard the song, although this is not certain.
On 10 December 1968 and 11 December 1968, the band aimed to promote Beggars Banquet by recording a television extravaganza entitled The Rolling Stones Rock and Roll Circus featuring John Lennon, Eric Clapton, The Who and Jethro Tull among the musical guests. However, the project did not air and would not receive an official release until 1996.
Lyrics: Waiting for a girl who's got curlers in her hair Waiting for a girl she has no money anywhere We get buses everywhere Waiting for a factory girl
Waiting for a girl and her knees are much too fat Waiting for a girl who wears scarves instead of hats Her zipper's broken down the back Waiting for a factory girl
Waiting for a girl and she gets me into fights Waiting for a girl we get drunk on Friday night She's a sight for sore eyes Waiting for a factory girl
Waiting for a girl and she's got stains all down her dress Waiting for a girl and my feet are getting wet She ain't come out yet Waiting for a factory girl
The Rolling Stones Pictures (Click For Larger Image)
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